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My Top 100 Games of All-Time (50-26)

~ Barloq ~ Leave a comment

50. Demolition Racer (1999, PS1)

A childhood classic, Demolition Racer is what it sounds like: combine demolition derby destruction with a high-octane racing game. The results are, predictably, catastrophic, with cars slamming into each other at high speeds, vehicles sent flying everywhere, catching fire, and exploding. This isn’t just nostalgia talking either, I’ve gone back and replayed this game multiple times in the past few years and it is always a blast.

49. Gravity Rush 2 (2017, PS4)

Gravity Rush 2, and its predecessor, are joyous games. Their plots are uplifting, full of positivity in the face of danger. Their characters are charming and unique. Most importantly though, the central mechanic reminds you of the simple joy of play. Too many games have movement and traversal as a lengthy chore that you have to manage in order to get from point A to point B, and you spend more time bored and annoyed getting to your destination than you actually do enjoying yourself (looking at you Witcher 3…). Gravity Rush flips the script on this: being able to shift gravity at will to fall towards your chosen destination is as breath-taking at minute one as it is at hour fifteen. It matters less that combat is a bit finnicky when the moment-to-moment gameplay is this fun and the writing is this charming. Gravity Rush 2 is pure joy and the industry needs more games like this in it.

48. Twisted Metal: Black (2001, PS2)

While Twisted Metal 2 is probably the best-playing Twisted Metal game, I’ve reiterated over and over here that gameplay isn’t everything, and Twisted Metal: Black is one of the best examples of this. The game is bloody difficult, perhaps too much so at times and the game can feel downright unfair. However, where Black really stands out is in its presentation and story. Black is easily one of the darkest video games ever released. Its cast are a bunch of psychopaths let loose from an insane asylum, all doing battle with each other and tearing across the city of Midtown in order to be granted a wish of their choice. You’ve got such colourful figures as No-Face (a professional boxer who lost a fight, causing a doctor who had bet on him to remove his eyes and tongue and then stitch them shut), Mr. Grimm (a Vietnam vet and former POW who is wracked with PTSD and a craving for human flesh), Preacher (a delusional pastor who downed a goddamn baby because he thought it was possessed), Warthog (a serial killer whose wish is to remove the part of the brain that makes him feel remorse when he kills), and of course Sweet Tooth (an unrepentant, murder-obsessed serial killer who wears a clown mask). Each character has a very dark and disturbing story that plays out over the course of the game, and the game’s world is suitably gloomy and depressing. It’s so over-the-top grimdark that it’s cartoonish, but then loops right back around to being properly dark stuff due to how hard it commits to the whole thing.

47. Resident Evil 2 (2019, PS4)

Resident Evil 2 remake was a lightning rod moment for the gaming industry, kicking off the remake craze we find ourselves knee-deep in. The game is just a bloody good, tense thrill-ride. Zombies have not been this threatening in decades, taking tons of ammunition to put down for good, which incentivizes you to conserve your resources and avoid them where ever possible. The design of the RPD is also still one of the most memorable environments in gaming and it’s just as compelling here in full 3D as it was on PS1. While it does stumble a bit towards the latter-half and the story isn’t all that interesting, Resident Evil 2 is one of those games that you cannot stop thinking about once you pick it up.

46. The Movies (2005, PC)

Peter Molyneux is notorious for over-hyping his games, but the one time he actually struck pure gold has to be The Movies. As a business management sim, it’s pretty cool: you manage a movie studio, building sets, hiring star directors and actors (and keeping them happy), managing crew, and developing technology from the silent era up to the modern day. All this is decent enough for a game in its own right, but what catapults The Movies to the stratosphere is the in-game machinima tools that give you a lot of freedom to create your very own movies. I’m talking dozens and dozens of scenes (each with variants and customization options), systems to allow the characters to lip synch with any recorded audio, special effects, and a basic video editor. It’s a mind-blowing amount of freedom, to the point where I made a feature-length spy movie back in high school using The Movies.

45. Blasphemous (2019, Switch)

Sometimes a video game comes out which is just made for me. Blasphemous scratches so many of my itches: Metroidvania, Souls-inspirations, religious fanaticism, dark fantasy, blood, penitence… I picked it up in a sale a few years ago and I was glued to my Switch for a week straight, obsessed with journeying through this nightmarish civilization to prove my devotion to the faith. It isn’t doing much different than your average Metroidvania game, but it hits so many of my interests that I can’t help but adore it.

44. RollerCoaster Tycoon (1999, PC)

Like many other 90s kids, I got this game for free in a box of cereal. The game itself is the pinnacle of management sims, with a simple premise: build the amusement park of your dreams. Build attractions, setup decorations to make things more aesthetically pleasing, landscape to your liking, optimize your pathways, and design your very own rollercoasters (which, inevitably, will be too intense for the guests)! Each guest also has their own name, amount of money they’ll spend, and likes and dislikes which can help you tailor the park to maximize returns.

Of course, that’s all good if you’re playing the game as designed. You can easily turn RollerCoaster Tycoon into a psychopath simulation as well. Make vomit-inducing rides and then charge your guests to use the bathroom. Are guests mad that you charge them $5 to go for a piss? Grab ’em and throw them on punishment island, where they’ll angrily run in circles until you send the island into the ocean and drown everyone. Or, the classic option: build an unsafe rollercoaster and watch it crash and explode, killing everyone on board. You don’t have to be a dick in RollerCoaster Tycoon, but it’s a lot of fun that the game gives you the freedom to do so.

43. The Walking Dead (2012, PS3)

Telltale had been making narrative, episodic games since the mid-2000s, but they never really had any major hits, and their biggest swings (looking at you Jurassic Park) were considered fairly poor and did not make a splash. So, for a while, Quantic Dream’s games were the gold standard for narrative games, with Indigo Prophecy and Heavy Rain being quite notable titles of their eras. However, even back then, the writing of those games was heavily criticized, but I (and many others) excused it, because we couldn’t really get these kinds of cinematic, narrative-based experiences elsewhere.

Then Telltale’s The Walking Dead came out, and Quantic Dream were obsolete overnight. The Walking Dead established a formula of narrative, choice-based games that Telltale would milk dry over the next few years, but The Walking Dead stands tall amongst them just due to the strength of the writing here. The tale of Lee and Clementine is unforgettable: an escaped convict stumbles across a little girl whose babysitter has been killed during a zombie apocalypse and takes her under his wing. The illusion of choice is very much a thing here, but it doesn’t really matter that much when the journey itself is so good. What makes it so good are not the big choices anyway, it’s the little ones – do you go all-out to protect Clementine, or do you try to preserve her innocence as best you can? No other video game has managed to make me cry like this one, and I imagine if I were to replay it now, after becoming a father, it would leave me absolutely devastated.

42. Warhammer 40,000: Dawn of War (2004, PC)

I’ve been a Warhammer 40k fan for most of my life, and I can say with confidence that the original Dawn of War is still unsurpassed as far as 40k games go. An old-school RTS which innovated by putting the focus directly on getting you into combat, Dawn of War lets you engage in visceral, bloody, large-scale war with friends or AI opponents. Several factions were added in expansions, meaning that it is absolutely packed with content to try out. The game is still fully playable online to this day as well, and I’ve had the pleasure of getting together with friends recently to try to hold the line against high-level CPU teams hell-bent on annihilating us. It results in glorious carnage as your units rain gunfire and artillery down and chainswords rip through flesh. The modding community is also great, bringing in an entirely new, playable faction and removing the game’s unit cap for ultimate apocalypse mode.

41. Dynasty Warriors 4: Empires (2004, PS2)

I am not exaggerating when I say that I love Dynasty Warriors 4: Empires. I have poured countless hours into this game as I gleefully hack and slash my way through ancient China to reunite the land under my banner. Empires specifically is great, because it adds a level of grand strategy to Dynasty Warriors‘ usual formula, as each battle captures territory, makes new items available, allows you to recruit and capture officers, and gets you one step closer to conquering the nation. This change takes the rather repetitive combat of Dynasty Warriors and gives each battle a level of importance and resonance that it may otherwise lack, since each action you do is building towards a grander goal. The nature of the world map also means that no two campaigns will play out the same: you’re always going to have different enemy factions, different officers fighting with you, different territories to attack and defend at any given time, etc. I actually replayed the game on my Retroid Pocket 4 Pro a few months ago, and it was like cuddling in a warm, familiar blanket again. Later games may have expanded the political gameplay, but this version of Empires will always have a special place in my heart.

40. Resident Evil 3 (2020, PS4)

My go-to answer for “most over-hated game of all-time”, I legitimately enjoy Resident Evil 3 remake more than Resident Evil 2 remake. This, once again, comes down to the non-gameplay aspects: the story in Resident Evil 3 is easily the best in the entire franchise. Jill is a fucking badass, Carlos is cool, Nikolai is a great secondary antagonist, and Nemesis is a terrifying, relentless monster. Resident Evil 3 plays like a PS3-era, cinematic action game in the vein of Dead Space 2, the sort of experience we rarely get these days when every game has to be open world and dozens of hours in length or it’s not worth gamers’ time. The runtime is fine for this sort of experience: the six-to-eight hours you spend are maximized for fun and spectacle, and I got significantly more enjoyment out of this than I did out of the bloated, two hundred hours spent toiling away in Fallout 4 (and I call bullshit on anyone who claims to have beat it in three hours unless they were specifically running through it as fast as possible). Plus it’s on sale all the time now, so price isn’t even a problem. Sure, it cuts some content from the original, but the original still exists: play ’em both, I say.

39. Tom Clancy’s Rainbow Six: Siege (2015, PS4)

While the game has expanded in some wild directions since release, the core gameplay of Rainbow Six: Siege is one of the best multiplayer shooters I’ve ever experienced. I got in early, a few weeks after launch when the game was in a very rough state, and I was hooked due to how intense it was. As a defender, having to fortify your position while you can hear attackers breaching to get to you makes your heart beat fast and your palms sweat in anticipation of what’s to come. As an attacker, you have to watch every step you take as you try to get in as safely as possible. Each encounter is life-or-death, with instant kills coming frequently. The operators’ unique weapons and equipment fundamentally affect how this plays out and creates a mix-and-match system that makes every game unique. While I don’t really play competitive shooters much anymore and, as a result, I’ve effectively retired from Siege for good, my time with the game was easily some of the best experiences I’ve ever had in an online game.

38. Metal Gear Solid V: The Phantom Pain (2015, PS4)

With the glut of open world games we’ve gotten in the past decade, my opinions on The Phantom Pain have softened somewhat. Traversal quickly becomes a pain in the ass, as starting any mission will require you to get past multiple guard checkpoints, you always feel obligated to look for new soldiers to recruit for your base, and the side ops get extremely repetitive. That said, The Phantom Pain still stands out thanks to its fundamental gameplay systems. Stealth remains incredibly fun, all the wild and wacky gadgets at your disposal give you so many ways to mess with guards, and the guards actually learn and start to counter your tricks, forcing you to change things up regularly. In spite of its problems, it’s still a great sandbox experience and a solid send-off to the greatest saga in gaming.

37. Mass Effect 2 (2011, PS3)

While Mass Effect 3‘s ending soured the entire franchise, Mass Effect 2 at least remains one of the best action RPGs on consoles thanks to its fairly self-contained story. You’re basically tasked with putting together a team of specialists to go on a suicide mission. The first twenty or so hours are just you recruiting your team, getting to know them, preparing your ship and equipment, and (most importantly) growing emotional connections to your entire crew. We then get one of the best finales in gaming as your team plunges into the gauntlet and your decisions over the course of the game come to fruition. Depending on what you’ve done, one or more of your crew can die executing the mission, which is about as emotionally impactful as you would expect.

36. Resident Evil 3: Nemesis (1999, PS1)

Shock! Horror! I liked both versions of Resident Evil 3! While I certainly have some issues with it compared to its predecessor, Nemesis is such a unique and ambitious game for its time period. Its scope is significantly wider than any previous Resident Evil game, allowing you to freely traverse an entire section of Raccoon City. The titular Nemesis is also downright scary here, barely operating within the limits of what you can reasonably deal with in Resident Evil‘s tank control scheme. The freedom and sense of risk/reward that this gives you is great – you can avoid fights with him if you want to, but if you choose to tough it out, you’ll be handsomely rewarded for your efforts. I remember when this game was considered the dark horse of the franchise, so seeing it get all the love after all this time is great to see.

35. Dead or Alive 2 (1999, PS2)

A couple months ago, I would have said that I liked Dead or Alive as a franchise, but I wouldn’t have had any of the games in my top fifty. Dead or Alive 2 changed that for me. The game is a massive improvement on its predecessor, adding in new characters, fun new mechanics, stage hazards and multi-level stages which wildly change how a battle looks and feels. The game is also simply packed to the brim with content, to a degree that we just do not get out of games anymore. It’s a simple enough game that anyone can pick it up, but deep enough that there’s a lot to learn and come to grips with if you really want to dedicate yourself to learning. Like I said in my recent Love/Hate series, I’m so glad that I decided to check the older games in this franchise out, because they were a real joy to get to experience.

34. Hotline Miami 2: Wrong Number (2015, PS Vita)

Hotline Miami 2 is largely more of the same from its predecessor, but when that game had one of the most addictive and replayable gameplay loops of any game, that’s nothing to sniff at. Hotline Miami 2 is hypnotic: an acid trip of colour, blood, ultraviolence, synthwave, and pure focus. You will die over, and over, and over again as you try to perfect your killing spree and get through each area unscathed. This results in a ballet of bullets as you mow down enemy gangsters with dual SMGs, throw your empty gun to stun a guy, then slash their jugular open with a blade you picked up, then throw that blade into another guy’s head, grab another weapon to keep going, etc. All this coming as you die, hone your approach, die again, and so on until you have it down perfectly.

33. This War of Mine (2014, PC)

This War of Mine threads the extremely delicate line between entertainment and art with a serious message and, in my opinion, the results are poignant. Meant to act as a commentary on international conflicts and of the military shooters of the day, you play as a small group of survivors caught in an active warzone trying to survive to see peace return once more. You have to balance your survivors’ sleep, hunger, and morale, and developing your safehouse to be able to produce heating, supplies, and to be able to defend against looters. Then, at night time, it’s safe enough to sneak out and try to scavenge for supplies… but be careful, because you’re not the only one trying to survive…

Then there’s the heavy choices. Supplies are going to start drying up real quickly. Do you risk confronting other scavengers who may be hostile? Do you enter an area with ongoing exchanges of gunfire to risk getting to supplies that haven’t been picked over yet? Do you try to break into a gang’s well-stocked safehouse to steal their supplies? Or do you break into a defenseless old couple’s home and steal their supplies to keep yourself alive? If neighbours ask for help, will you give up some of your rations and medicine to help them? And, if you have children in your safehouse, how do you keep them safe and innocent in the face of all this? This War of Mine leaves these choices up to you, and only makes them harder as disease and winter set in, making you really test the limits of your morals. It’s a one-of-a-kind survival experience, and I implore you to check it out.

32. Ace Combat 04: Shattered Skies (2001, PS2)

Shattered Skies is a special game for me. My grandfather on my mother’s side was a pilot instructor. One of my earliest memories was flying with my grandfather in his two seater airplane and looking down at the world below us. Probably due to this connection, my aunt bought me a copy of Ace Combat 04: Shattered Skies as a gift. I wasn’t particularly interested at the time, but eventually decided to give it a try, and quickly became mesmerized.

On the gameplay front, Shattered Skies is an arcadey military air combat game where you’ll be dogfighting, shooting and bombing ground targets, and sometimes flying dangerously low to avoid radar and airburst artillery. The gameplay is actually way more varied than you’d expect for this kind of game and makes for a game that never gets old. You also get access to dozens of airplanes, each with their own strengths, weaknesses, and customization options, which let you tailor them to each mission you find yourself in.

What really makes Shattered Skies so good though is its shockingly mature story – and I don’t mean that in the “rated M for mature” sense, I mean that this is some legitimately great stuff. The story is told from three perspectives: 1) the big picture, war room briefing perspective, which tells you about the progress of the war between ISAF and Erusea; 2) the in-game story of Mobius 1, who you control and turn into a legendary fighter ace over the course of the game; 3) the story of a grown man recounting his experience as a boy growing up in occupied San Salvacion. This third story is where the real emotional punch of Shattered Skies comes in, as we see his family killed as collateral damage in the war after the Erusean Yellow Squadron shoots down a plane, which crashes into their house. Despite hating the occupiers, he grows to have a strained relationship with some of the fighter aces in Yellow Squadron who are based in the city. While Yellow Squadron clearly have empathy for the boy and want to be seen as more than just occupiers, you get the sense that they are legitimately saddened when he has to stand up to them in order to protect a friend in the resistance. This more personal perspective of your enemies makes it a bittersweet moment when we have to face Yellow Squadron in battle as Mobius 1 and shoot them down one-by-one. It’s a shockingly clever and tragic way to lend emotional stakes to what would otherwise be standard air combat gameplay. This whole story makes Shattered Skies so much more than the sum of its parts, and is easily one of the best-written stories in video games.

31. Resident Evil 2 (1998, PS1)

I knew that Resident Evil 2 was celebrated back in the day, but I didn’t really realize just how good it was until I finally played it earlier this year. Given its placement here on the list, I also clearly liked it quite a bit more than its more polished and popular remake. I just love the way that Resident Evil 2 feels and plays: nearly everything good about the remake is intact here, and in some ways (such as the story and branching playthroughs) it’s even better. It’s incredibly impressive for a PS1 game and by far the most fun entry in the “classic” era of Resident Evil.

30. Resident Evil (2002, GC)

While Resident Evil 2 is the best of the classic era, the remake of the original Resident Evil is arguably the best distillation of the Resident Evil formula we’ve ever gotten, largely thanks to the changes and improvements it brought after six years of iteration. The original Resident Evil was a very rough and unrefined game: full of cool ideas, but lacking in the execution. REmake realizes that potential and then some, with graphics that still look fantastic today that help bring the oppressive atmosphere of the Spencer Mansion to life. The remake also makes several changes to the original game which keep things surprising to veterans and improve the overall layout of the mansion in the process. The Crimson Heads are the most notorious example of this, providing a nasty surprise to new players who are too liberal with their firearms usage, and adding a whole other layer of strategy as you have to figure out which bodies to burn before they reanimate as even more dangerous enemies.

29. Battlefield: Bad Company 2 (2010, PS3)

If you’re unfamiliar with the series, it may seem kind of weird to rank a Battlefield game so highly, because a Battlefield game is just another Battlefield, right? Bad Company 2 was special. Like Battlefield 3, this game was really designed for rush, and charging in with your teammates to take the MCOM stations was as intense as it was fun. Bad Company 2 also featured a level of destruction that no Battlefield game since has dared attempt to replicate: nearly every building can be blown apart or leveled entirely. While some argue that this makes the map kind of boring once all the buildings are gone, I call those people cowards: flushing defenders out of Arica Harbour with a series of tank shell strikes was a literal blast. The game also had some fantastic maps which, when they’ve shown up in subsequent Battlefield titles, have given me a rush of nostalgia that I’ve rarely felt for anything else. It’s a shame that the game was shut down for good last year, but the memories live on forever.

28. Dead Space (2008, PS3)

Dead Space is the best franchise to arise from the glut of Resident Evil 4 clones, and it’s not even close. A mixture of Event Horizon, The Thing, and Alien, this first game brings terror to the corridors of the Ishimura as you try to stay alive against hordes of necromorphs and find out what happened to your girlfriend, who was stationed on the ship. The core gameplay gimmick is inspired for a horror game of this nature: simply shooting a necromorph is insufficient to kill it, you need to blast their limbs off to immobilize them. Combined with limited resource survival gameplay, stasis blasts to slow enemies, kinesis to throw objects at your foes, and a good ol’ fashioned curb stomp when all else fails, the core gameplay of Dead Space is rock solid.

27. Fire Emblem: Awakening (2012, 3DS)

Fire Emblem: Awakening came out at a difficult time for the long-running franchise. Sales for the last couple entries had been underwhelming, so Intelligent Systems had one last chance to right the ship before the series went on ice for good. With this in mind, the developers threw the kitchen sink at Awakening, trying to make the biggest, best Fire Emblem of all-time, if only to give it a proper swan song. Luckily, their efforts paid off and Awakening gave the franchise a second life. While it largely plays like any other Fire Emblem game (turn-based tactics gameplay, RPG elements, perma-death, etc), Awakening‘s big new feature was an expansion of the relationship system to allow two of your soldiers to have children, who will inherit traits from both of them. This allows for some really fun and unique combinations, which work just as much for roleplayers as they do for min-maxers. While some fans have bemoaned this addition, claiming it turned Fire Emblem into a waifu simulator, I think that that opinion is fucking dumb. Awakening is a great game and, in my opinion, the most fun Fire Emblem I’ve played thus far.

26. Uncharted 2: Among Thieves (2009, PS3)

I really enjoyed the original Uncharted when it came out, a lot more than most people who played it in fact. I loved the characters, the gameplay, and the story, so I was excited to see how Naughty Dog would up their game for the follow-up. What I was not expecting was for Uncharted 2 to absolutely blow everyone’s expectations out of the water and be widely considered the game of the year for 2009.

Uncharted 2 plays like its predecessor, but with some key refinements. The game is overall just bigger: more grand spectacle, bigger set-piece moments, more characters, more complex story. As much as I liked Nathan Drake and Elena Fisher in the first game, they really come into their own here, and I love that Naughty Dog didn’t take the easy route of having their pulp hero have a new love interest in every game.

And that’s it for part two. If you’re reading this the day it came out, then the final part will be up tomorrow!

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Female Space Marines and the Wokehammer Agenda

~ Barloq ~ Leave a comment

Hide your 3D printer and grab your Imperial Infantryman’s Uplifting Primer, the wokes are coming for Warhammer 40,000! Or so you’d believe if you’re unfortunate enough to be a 40k fan on social media these days. The discourse going on right now is absolutely exhausting and I’m at the point where I just want to get all my thoughts out in one place (and preferably in a place that doesn’t have a 280 character limit). So what is all this hubbub about? Simply put, people are arguing about whether female Space Marines should be a thing… but, of course, it’s really about a lot more than that. Let’s get into it, shall we?

As a note, you don’t necessarily need to know anything about 40k to get through this – I’ll try to keep it understandable, but I’m going to have to nerd out just due to the nature of this discourse, as some of the arguments are nonsense if you don’t know the finer details of the lore.

So What Is This Discourse All About?

In Warhammer 40,000, the main, iconic faction are the Space Marines: genetically altered and enhanced super-soldiers who are amongst the most elite warriors in the galaxy. In the lore of the universe, Space Marines are recruited exclusively from young males. It has been this way for about 30 years now and through several editions of the game.

In recent years, there is a growing (albeit, still minority) desire amongst some fans to relax this bit of the lore and allow Space Marines to also be women. There are several arguments in favour of this, which I’ll get to later, but recently this discourse has come to a boiling point again as it has become a rallying point for reactionaries to bring the culture war to 40k. This is also drawing in a lot of people who have never cared about 40k one way or another, but view it as a battleground to push back against “the regressive left”, or as fertile ground for them to grift people through rage and engagement.

That’s the basics. It’s becoming pretty clear to me that Games Workshop are, inevitably, going to need to formally address this at some point or another. So, as a result, we’re left with the question: “Should there be female Space Marines? Why, or why not?” With that question in mind, let’s look into what I consider the legitimate arguments against, and for, female Space Marines:

Arguments Against Female Space Marines

  • Monastic Elements – Traditionally, Space Marines have had a monastic theme to the faction’s identity. Most chapters straight-up are based out of strongholds called fortress-monasteries, and a lot of chapters have similar levels of religious reverence that you might expect out of monks. You could argue that allowing women in the Space Marines would dilute this aspect of the army… and, y’know what, that would be fair if that was the reasoning given. That said, these monastic elements are already very diluted compared to where they were in 2nd and 3rd edition, and different chapters have different traditions, so it doesn’t even apply neatly across the faction.
  • Fascism/Traditionalism – One could make the argument that the fascist society of the Imperium could be the reason why Space Marines are all male, even if there might be the ability to recruit women. Perhaps The Emperor decreed this, or when he recruited only men to be in the original legions, the chapters have kept this going out of tradition. This could also be a legitimate excuse to keep Space Marines male as far as I’m concerned – it honestly would help reinforce the themes of the setting in ways that are far more interesting and intentional than what we currently have by just handwaving “Marines have to be male, because reasons”. This is a bit shaky though, because, again, Space Marine chapters have incredibly diverse traditions, and the Imperium at large doesn’t seem to have this male/female division in the rest of its military forces (outside of the Sororitas, but that’s because having an all-female army was a loophole for the church to have its own standing army).
  • Artistic Intent – If Games Workshop came out and said “Nah, Space Marines are all male, because that’s what we want and we don’t intend to change it”… then, man, how do you even argue with that? I mean, there will no doubt continue to be arguments (and you can certainly argue about an artistic choice you disagree with), but that’d be pretty clear-cut.

Arguments For Female Space Marines

  • The Lore Changes All the Time – 40k’s lore isn’t the goddamn Bible. Games Workshop need to sell us new toys, and as a result it changes constantly. The past couple editions have seen some of the biggest lore changes in the history of the game. Just in the past few years, we’ve had the story move forward with the Fall of Cadia, the resurrection of primarchs Roboute Guilliman and Lion El’Jonson, and the introduction of Primaris Space Marines. These were monumental, narrative- and lore-changing events which have fundamentally altered the 40k universe and Space Marines as a faction. And then there’s the lore impacts every time a new faction gets added, or a faction gets fleshed out. Recently we got the League of Votann, a brand new faction which now, it turns out, have always been there actually. Before them, we got the T’au, and then we got the fleshing out of the Necrons, which fundamentally altered an existing faction’s lore (for the better, it must be said). In comparison to all of this, changing the lore to allow female Space Marines is miniscule. You could literally change a couple sentences in the lore section of the rulebook to make it work – either Cawl figured out a way to make female Space Marines work, or they’ve always been a thing, but we weren’t privy to it. If you wanted to make it something more elaborate (like one of the missing primarchs is involved somehow), then that could work too, but in my opinion this works best when it’s simple. People who go “But the lore!!!” as an excuse for why there shouldn’t be female Space Marines baffle me, because that is easily the weakest ground for them to stand on in this fight.
  • Gender Essentialism Excuse Makes No Sense – As it stands in the current lore, Space Marines are all male because “the gene-seed zygotes [which are used to turn someone into a Space Marine] are keyed to male hormones and genetic structure”. It’s basically just a hand-wave to explain why things are the way they are, and why they’ve been that way for 30 years. This is one of those anti-female Space Marine arguments that just gets more dated year after year, as discourse about gender and biology become more a part of the public conscious. Like I said in the lore section, it would be incredibly easy to just change this – it’s not like gene-seed is based in any real biology, so it’s not breaking the laws of reality or something for it to suddenly be able to be implanted in women too, whether that’s just retconning it, or having some new development make the process viable.
  • Space Marines Aren’t Inherently Male – This is my personal argument in this. Space Marines are all male, but there isn’t anything inherently male about them that would be lost by allowing there to be women in their ranks as well. About the only thing I can think of is that they all call each other “brother” a lot, but that’s more of a sign of respect and comradery. In terms of the faction’s identity, I’ve seen it argued that Space Marines are a male power fantasy, which holds some merit, but I don’t think it’s strong enough to extend to “therefore there should be no female Space Marines”. Space Marines are effectively sexless – they are pumped so full of modifications that they aren’t really human anymore, they’re sterilized and asexual, and most chapters have no personal connection to any normal humans. Given all this, what is lost by allowing Space Marines to recruit from women as well? They will end up the same weapons of war, not defined by their gender. It’s honestly so small a change that Games Workshop could get away with not even making new models to make this work (at most, they could sell a sprue of optional head swaps, so there’s even a financial incentive to consider).
  • They’re The Poster-Boy Faction – One common argument against female Space Marines is that people should just play one of the other factions which is mixed-gender instead. Maybe they should, because the other factions in 40k are all more interesting than the Space Marines (well, except for the Aeldari, because fuck elves), but Marines get the majority of the attention in the game and are likely going to be the first faction for most players. It doesn’t seem unreasonable to me to wish that the noob-friendly faction could have some more representation for women as it might subsequently draw more people in. From my understanding, this is pretty much the core argument for why people wanted female Space Marines in the first place.
  • Space Marines Are Meant to Be Personalized – Ever since the first Tactical Marine box was released, Space Marines have been meant to be highly customizable. The entire point of chapters and the various foundings is for you to be able to make up your own custom chapter and tell your own stories. The introduction of Primaris marines in 8th edition reinforced this, opening up the lore so that chapters that used to not have a “lore justification” for having additional foundings now could. Hell, the 40k universe has intentionally been designed as a playground you get to tell your own stories inside, rather than a grand narrative like something like Star Wars or Marvel. It’s an inherent aspect of the miniature hobby that you have full control over the painting, design, and customization of your minis, and that is represented fantastically through the Space Marines’ diverse array of traditions and options. In light of that, if people want female Space Marines in their chapter, it seems in-line with this philosophy to allow it as an option. Similarly, if people wanted their chapter to be all-male, then that would be fine too within that customization, but at least people would have the option this way.
  • There Used to be Female Space Marines – In 1987, Games Workshop sold two women in power armour with bolters and swords. Ever since, they’ve been a contentious aspect of the lore. Were they Space Marines (which were a thing at the time), or were they actually Sisters of Battle (which weren’t a concept yet)? Legend has it that they didn’t sell well, so Games Workshop phased women out of the Space Marines and made them all male to appeal more to the young boys who were their primary audience at the time. Supporting this theory, several armies also had female models get phased out of production, although the Space Marines were somewhat unique as this got extended to their lore as well, which would become more solidified and recognizable to the 41st millennium we know today by the time 2nd edition dropped in 1993. We could argue that female Space Marines are a call-back to the game’s history, although (to be fair) that was a time when 40k wasn’t even 40k.

Those are the legitimate arguments, for and against, as far as I can see them… and it should be pretty obvious which way I lean on this. There are other arguments though, and I’d be neglectful not to go over those as well:

Other Arguments Against Female Space Marines

  • The Sororitas Are the Faction For Girls/Are All-Female – I alluded to this one earlier. The Adepta Sororitas (aka Sisters of Battle) are held up as the female version of Space Marines, but they’re not quite the same thing. While there is some overlap, they ultimately aren’t the same since they are not super-soldiers, are physically much weaker, have a far different aesthetic, theme, and playstyle, and do not have anywhere near the same recognition and exposure as Space Marines do. They’re also 100x more interesting that Space Marines, but that’s a completely different argument altogether… Oh, and there’s also the argument that Sororitas are all-female, so Space Marines should stay all-male. Put simply, in the tabletop game this isn’t accurate: the Sororitas have multiple male units and characters in their army (specifically: Priests, Missionaries, Crusaders, Arco-flagellants, and Penitent Engines; they also used to have several more in previous editions, but these have been sectioned off into the Inquisition supplemental codex or discontinued). You can theoretically make a whole Sororitas army with nothing but male models if you wanted to. I recently got into it with a guy on Twitter who said that these “don’t count” and even argued that Penitent Engines and Arco-flagellants don’t count as male because they are just drugged-up killing machines… first of all, they make sure that these heretics are still somewhat lucid so they can torture them more for their sins, and secondly, at that point do they even consider Space Marines to be male? There are people who will argue that the Adeptus Custodes to be a mixed-gender army because it has six Sisters of Silence units (one of which is a named character, one of which is a generic leader, one of which is literally just a generic transport tank, and three of of which are literally just the same models with different weapons options), but will also argue that the Adepta Sororitas are all female because it suits their argument (and if the Sororitas are not all female, then there is no all female faction in 40k). Ultimately though, this argument is entirely a distraction from the actual discussion about female Space Marines and not worth getting into all the pedantry required to wade through it. Keep the argument on the question of female Space Marines where it should be.
The absolute insanity of calling Slaanesh daemons female is really sending me. Most of the army are full-on hermaphrodites, they’re as non-binary as you can get.
  • Goes Against the Lore – I’ve already addressed this previously, but there certainly is the argument that the existence of female Space Marines goes against the lore. If you view the lore as something that can’t/shouldn’t be changed, then I’m probably not going to convince you, but it’s the shakiest ground you could hinge this argument on. The options available to outright change the lore, or to introduce new elements to make it work, make this incredibly weak and the people making it must be constantly pissed off whenever a new 40k product comes out.
  • Why Are You Injecting Politics Into My Escapism? – Guys, if you are legitimately entertaining this idea, you need to take a long, hard step back and re-evaluate this. You’re saying you can’t enjoy a piece of media anymore because there’s a woman in it? You’re saying that, because they wanted to appeal to a wider audience, you can’t enjoy your hobby anymore without thinking about politics? Does progressive society make you so miserable that you have to retreat into your hobby and try to shut people out? That’s just silly. This is the sort of argument that you can hold and scream to the heavens about, but it’s not going to convince anyone one way or another.
  • It’s Misogynist/Sexist! – LOL. That’s all I really need to say about this take. Basically, some people try to claim that forcing women to go through the initiation process is torturous and would be misogynist/sexist. It’s a transparently bullshit argument and clearly just an attempt to use “woke” words to make their ideological enemies look like hypocrites. Don’t even entertain this kind of idiocy.
  • Why Are You Injecting Your Fetishes Into My Hobby? – LOL. Do I even need to entertain the argument that people want female Space Marines because they want dommy muscle mommies? No one is seriously motivated by this idea.
  • The Wokes Will Destroy 40k! – Finally we get to the core of the latest round of discourse about female Space Marines. In the wake of Gamergate, outrage merchants and political strategists have found that nerds will work themselves into a frothing mess when they think that their properties are being threatened with change. The culture war has made engaging with nerd properties fucking exhausting for the past decade. Star Wars is probably the clearest example of this – the sequel trilogy didn’t ruin Star Wars. Wokeness didn’t ruin Star Wars. The toxicity which has invaded the fandom in the wake of The Last Jedi‘s divisive reaction is what has made this franchise exhausting to interact with. It’s turned into a narrative that woke Kathleen Kennedy and Rian Johnson are trying to destroy the brand, but Jon Favreau and Dave Filoni are there defending it for the real fans… but they are also responsible for The Mandolorian season 3, The Book of Boba Fett, all the shit parts of Obi-Wan, and forcing Filoni’s OCs into canon at every opportunity. Meanwhile, we’ve got Rogue One, which people complained had another (!) female lead before release, and Andor, which is probably the wokest Star Wars has ever been, is nearly universally acknowledged as the best Star Wars project since the originals… So maybe “wokeness” isn’t the issue, but rather that Disney is sucking the life out of the brand and mismanaging it. That’s a long tangent to go on about why the woke 40k argument is fucking bullshit, but it illustrates the point – they’ll point to all these other properties that “wokeness” ruined, but when you look into it, it’s almost invariably bullshit. Female Space Marines are viewed as the first step to wokeness ruining 40k, but I just can’t see it. The entire appeal of 40k is that it’s a fascist hellscape, and I don’t see a single person interested in this setting wanting that to change, including the vast majority of people who want female Space Marines. If you believe the slippery slope argument and that’s what’s motivating you to push back against female Space Marines, you’re a fucking rube. I had an argument years ago with someone who similarly believed that having wheelchair-bound mini-figs was representing the woke-ification of Lego. It was an absolutely mad argument at the time, and the intervening 8 years have shown how fucking stupid this kind of logic is.
I already wrote a ton of words above about Star Wars, but Halo? That was clearly shit showrunning and disrespect for the source material rather than shoving wokeness at you. World of Warcraft? From what I can see, looks like they’re pissed because Blizzard added some gay couples in an expansion, lol.

Closing Thoughts

When it comes down to it, I have the same philosophy when there are calls to make a change in a media property: “is there a legitimate reason not to do this?” With female Space Marines, I see very few reasonable reasons not to introduce them into the game – the impact on the game and lore would be miniscule, while the upsides of making more people feel welcome and giving people more options for their armies is obviously a great thing. Games Workshop clearly agrees as well – just look at the Stormcast Eternals, the fantasy equivalent of Space Marines in Age of Sigmar, who are filled out with a cast of colourful men and women. It’s a different system of course, but it shows you that this is something they’re aware of and that they would do differently if they were to start fresh. If the idea of welcoming more people into the hobby is repulsive to you, then you are the problem.

Also, funnily enough, this whole discourse is reminding me of when I was a crusty gatekeeper in the 40k community. Around 12 years ago, bronies were infiltrating the 40k community. You couldn’t go on Dakka Dakka without seeing a brony avatar and there were several people converting up Space Marine pony armies. People fucking hated it, myself included. This was making a mockery of the game! Why can’t they just like 40k as it is? It completely goes against the tone of the setting!

…then, over time, we as a community got used to it. I stopped caring about all the bronies who were posting regularly, enjoying the hobby. I grew the fuck up. If people want to have fun their own way with their own army, why the fuck should we care? That’s one of the things that draws people to this universe, the ability to carve out your own little slice of it and go “pew, pew” as you fire a deathstrike missile at your opponent’s face. If some more representation would make it easier for others to share in that joy, then who are we to deny that?

Lore: The 51st Commandery

~ Barloq ~ Leave a comment

As I have stated in the past, I’m a long-time fan of Warhammer 40,000. I love the building, painting, battling, lore, etc but one area where I feel like I have been always lacking is the fleshing out of my characters and army’s lore. I usually just come up with a name for the army, maybe name a few characters and then leave it there – any “lore” they get tends to be built up organically from campaigns or impressive deeds during battle. Perhaps the most neglected of my forces is my Adepta Sororitas, which is particularly egregious since they’re also my favourite army. I’ve had this army for more than eight years now and I hadn’t even given my Canoness a name! Well, I decided it was finally time to give my army a proper identity, which was originally just supposed to be a few paragraph overview but it quickly started ballooning into a full-on army profile with several prominent named characters and personalities and a full-on photoshoot. So… yeah, where better to host that then on I Choose to Stand? It’s something a bit different compared to what I usually do around here, but I’ve been considering hosting some creative writing here for a while. Who knows, maybe this will become more of a regular thing in the future? In any case, enjoy…

The 51st Commandery

Stationed in the shadow of the towering spires of Balor’s refineries, billowing plumes of smoke to choke the atmosphere, the shrine-bunker of the 51st Commandery of the Order of Our Martyred Lady stands resolute, a bastion of the Emperor’s light. Within its cavernous halls is a convent of approximately 200 Sisters of Battle who have operated from Balor for more than a century. Following the massacre and martyrdom of much of the Order of Our Martyred Lady during the Third Battle for Armageddon, a contingent of veterans of the battle, led by the newly-minted Canoness Commander Petronilla Magdelaine, were sent to Balor to establish the 51st Commandery. Their founding mission was to provide support to the Order Fenestrus, escorting them to perform their holy duties in war-ravaged worlds in the vicinity of Balor.

However, the nature of the 51st’s mission has changed since its fourth Canoness Commander, Maria Orantes, has assumed the mantle of authority. Her predecessor, the long-serving Angela Impassia, was martyred in defence of a holy Imperial shrine on Rascella. Their position was unexpectedly overrun by Necrons and Angela gave her life to ensure the safe retreat of the Order Fenestrus. This also bought time for her sisters to reorganize and push the xenos back, but by the time they did so there was little left of Angela Impassia to salvage – having been hit by scores of gauss beams, all that could be found of her were a few scraps of cloth.

In addition to the Order of Our Martyred Lady and the Order Fenestrus, the 51st Commandery’s shrine bunker hosts pilgrims, missionaries, relic-hunters of the Order Pronatus, Hagiographers and a handful of members of the Order Familius, among others.

Following the death of their commander, the 51st Commandery had to choose a new leader to carry them forward. While the role of appointing a successor ultimately falls upon the shoulders of the Order of Our Martyred Lady’s Canoness Superior, in practice the decision is often too minor for the Cannoness Superior to personally oversee the selection. It would require a Commandery of crucial strategic importance for her to put her full attention into the decision and the 51st had not earned that level of distinction. As a result, the decision was to be delegated amongst the veterans of the Commandery and this selection would then be passed up through the chain of command for approval. This was how the selection was intended to worth in theory, but in practice the appointment could also be influenced by other interested parties capable of catching the ear of the Ecclesiarchy.

When it was announced that Maria Orantes had been selected as Canoness Commander, this proved to be controversial. The first reason for this was that, while Maria Orantes was unquestionably an esteemed warrior and battlefield leader, command was expected to be passed on to the favourite among the 51st’s veterans, Sister Superior Ludmila Stanbridge. Ludmila had long been seen as the logical successor to Angela Impassia, having proven herself a capable battlefield commander and was dedicated to strengthening the 51st’s relationship with the Order Fenestrus. There were several other candidates in the running for command, including Maria Orantes and Ludmila’s twin sister Sophia, but it was clear that Ludmila held the largest share of support amongst the veterans of the 51st.

The second reason that Maria Orantes’ selection as Canoness Commander proved controversial was that it was strongly believed that the choice was made, or heavily influenced, by someone outside of the Order of Our Martyred Lady. Despite the 51st’s clear desire for command to go to Ludmila Stanbridge, it is not unheard of for the Canoness Superior to select a successor who more closely fits her vision for the Commandery, or even send a Canoness from a completely different commandery to fulfill the role. However, this has done little to stave hushed speculation throughout the halls of the 51st Commandery’s shrine-bunker. While there is no physical evidence to support these suspicions, it is believed that the Ordo Hereticus played a hand in the selection. The Ordo Hereticus have been active on Balor for millennia, but their influence on the 51st began to be felt during the early parts of the Rascellan campaign and has only become more hands-on since Maria Orantes has assumed command. While the Ordo Hereticus and Adepta Sororitas have worked closely since their inception, there are still some among the 51st who express concerns about their loss of autonomy, feeling like they have become puppets to the Inquisition.

Foremost amongst the non-militant orders in the 51st Commandery are a number of Hospitallers of the Order of Serenity who have been ensuring that no sister martyrs herself lightly. While there are several Hospitallers serving in the shrine-bunker and abroad, the two most distinguished members amongst the 51st are Perpetua Kazuhera and Euphemia Pacifica, who have accompanied Maria on several crusades now and saved countless lives in the process.

In spite of all this, perhaps the most controversial aspect of Maria’s selection as Canoness Commander was that her methods differed greatly from those of her predecessors. As soon as she took command, Maria set about preparing the 51st for war. No longer would they be acting as support for the Order Fenestrus, they would be taking the fight to the heretic and xenos directly. For nearly a century the blood of countless martyrs of the 51st had been spilled providing support to the Order Fenestrus. As a result, this mission had taken on a holy significance among many of the veterans of the Commandery, especially among those who supported Ludmila, so this dramatic shift was met with strong opposition. However, it was only Maria’s unimpeachable faith and force of will which kept the 51st Commandery from fracturing entirely.

In her decades of service among the 51st Commandery, Maria had become well-known for her faith and fervour, which reached a level of devotion that was notable even amongst the pious ranks of the Adepta Sororitas. However, it was not always so. In the early years of her service among the 51st, Maria’s adherence to the tenets of the Ecclesiarchy was found wanting and so she was stripped of her place among the Battle Sisters and forced into the Sisters Repentia. Here, exposed to all the dangers of an uncaring galaxy with little more than her desire for redemption, Maria found her faith not only renewed but redoubled as she hurled her body at the Emperor’s foe and laid them low with the roar of her eviscerator. When her tenure in the Repentia was completed, Maria’s renewed faith found herself quickly rising in prominence among her peers until she reached the honoured ranks of the Seraphim. However, this was not enough and Maria voluntarily surrendered herself to the Repentia for a second time. It was a shocking decision as, even then, Maria was seen as a beacon of faith by her comrades. However, Maria declared to them that her faith had never been stronger than when she was in the Repentia and that she desired to temper it there once more. When this second round of trials was completed, Maria’s convictions were stronger than ever and she quickly became the Sister Superior of the 51st Commandery’s Seraphim and held this rank until her promotion to Canoness Commander.

The Emperor laid down his life so that we may live, to bring about this great Imperium. The least we can do is put our lives in His hands, to cast aside our armour and clad ourselves in pure faith. If we die, we do so knowing that it is for His glory, not our own.

-Maria Orantes, Seraphim of the 51st Commandery

Whatever differences there were when Maria Orantes assumed command, none of her Sisters could find fault in her belief and so even the most ardent skeptic among the Commandery was willing to give her a chance to either prove or damn herself. This took the form of a series of holy wars into Imperial worlds around Balor contested by expansionist xenos forces, the Necrons and the T’au. It soon became undeniable that purging these hated foes breathed new life into the sisters of the 51st and opinion began to shift in Maria’s favour. If there was any doubt about the righteousness or divine will of her cause, that was quickly washed away with the opening of the Great Rift, the start of the Indomitus Crusade and the fiery Morvenn Vahl’s promotion to Abbess Sanctorum, which saw Adepta Sororitas of all Orders across the Imperium rising up to make war.

In recent times, the 51st Commandery has been seen fighting Necrons, Tau and Tyranids ravaging worlds in the Ultima Segmentum, before being forced back towards Balor to deal with the Blood Crusade. Most recently, they have been seen fighting under the command of Morvenn Vahl herself in the Charadon system…

Forces of the 51st

Foremost amongst the heroines of the 51st Commandery is the Canoness Commander herself, Maria Orantes. After her two tenures in the Repentia, Maria has come to favour the eviscerator, both as a reminder of her trials and as a brutally-efficient instrument of death. Complementing her melee weapon of choice is a sacred inferno pistol of the Order of Our Martyred Lady, said to have been once wielded by a venerated saint. Maria Orantes leads from the front always and her sisters have learned to follow her into battle without question. While her strategic direction for the 51st comes from a deep-seated conviction to bring death to the heretic, xenos and mutant alike, Maria ultimately desires that greatest of all honours – to achieve the status of Living Saint. No member of the 51st has yet attained such a distinction, but Maria desires this goal above all else. When the time comes for her martyrdom, she prays that her deeds may be recounted amongst the venerated names of saints long past.

One of the most influential members of Maria’s retinue isn’t even technically a member of the 51st Commandery. Instead, she hails from the non-militant Order Dialogus, the Order of the Holy Word. Her name is Agnes Aemulator Existens Paternarum and she operates as a fervent and pious spiritual advisor to the Canoness Commander. Her voice can always be heard intoning prayers across the battlefield to embolden her sisters. However, it is no secret that Agnes also operates as an agent of the Ordo Hereticus, providing linguistic and intelligence-gathering support for them, among other duties. It is believed that this close relationship secured Maria Orantes’ bid for leadership, as the tacit support of both the Dialogi and Ordo Hereticus would have been an influential vote of confidence in her favour.

Among Maria’s retinue perhaps the most revered is Felicity Gracelyn, Imagifier of the 51st. In addition to recounting the deeds of martyred sisters among the Order, Felicity holds aloft a sculpture of Saint Joan the Pierced of Armageddon. Joan was a Celestian in the same squad as Petronilla Magdelaine, the first Canoness Commander of the 51st. During the Third War for Armageddon, Saint Joan held off an entire squad of Orks by herself, giving her comrades enough time to secure their retreat before she was hacked to death by the Orks’ blades. However, when this position was retaken days later, she was witnessed once again by her sisters charging into the greenskin lines where she disappeared in a gout of holy fire, slaying many score Orks in the process. Naught was recovered of her but her rosary and a handful of ashes, which were placed at the heart of her simulacrum alongside the bones of other Sisters martyred on Armageddon alongside her. Hearing the deeds of Saint Joan sets the hearts of the 51st aflame and push them to ever greater deeds in order to become worthy of commemoration.

If the Ordo Hereticus have been more hands-on with the 51st in recent times, then Bethel Ingran is that hand made manifest. Ingran first encountered the forces of the 51st during the Rascellan Campaign while she was on the trail of the radical Ordo Xenos Inquisitor Felix Rex. After they helped her to bring the Emperor’s justice to the rogue Inquisitor, Ingran relocated to Balor, obstinately to continue the Ordo Hereticus’ observations of the population, but also to keep the 51st within arm’s reach if needed. After all, Ingran is a resourceful, calculating and cautious Inquisitor and would prefer to keep a proven-successful resource available whenever possible. Ingran is always found flanked by her Crusader bodyguards who safeguard her and ensure that she lives on to accomplish her mission.


Despite being passed up as Canoness Commander, Ludmila Stanbridge holds no ill-will towards Maria Orantes. In spite of this, Ludmila is Maria’s most vocal critic in matters of strategy and it is not unusual for war counsel to be interrupted by Ludmila’s protests. While some may find this to be insubordinate, Maria appreciates the presence of a dissenting voice, especially one who still holds great reverence throughout the ranks of the 51st. As a result of this, Maria has revised battle plans on a handful of occasions after hearing out Ludmila’s concerns. Ludmila, along with her more impetuous twin Sophia, are both honoured Sister Superiors, leading squads of Battle Sisters to war and earning herself even greater respect among her peers.

  • Ludmila Stanbridge
  • Sophia Stanbridge

Amongst the veterans of the 51st, Seira Ignata, Sister Superior of Squad Ember, has the greatest burden upon her. During the Rascellan campaign, early in her career with the 51st, Seira’s squad were wiped out by Orks and, with the help of a Deathwatch Kill Team which were operating in the area, she managed to avenge her fallen sisters. From there, she worked closely with Bethel Ingran to help him bring rogue Inquisitor Felix Rex to justice and has only risen in prominence since. In fact, just as Ludmila was viewed as Angela Impassia’s future successor, Seira is expected to one day take up the mantle from Maria Orantes when she is inevitably martyred. Perhaps this is why Seira has been entrusted with a copy of the Litanies of Faith. While this is likely not the legendary original copy of Sebastian Thor’s preachings, it is still enough to set the hearts of the Sororitas afire, so why risk sullying such belief? As for Seira herself, she leads squads of her sisters into battle with grim determination, eager to strike down all foes of the Emperor, but is particularly eager to drive a stake directly into the heart of any witches.

  • Sister Superior Seira
  • Sister Superior of Squad Rose
  • Sister Superior Camilla Wend of Dominion Squad Dusk
  • Katherine Nephil has become Sister Superior of the Seraphim
  • Sister Superior Hitomi Feng of Squad Nephilim
  • Sister Superior Lalatina Brody of Squad Aquilla

Whenever the 51st Commandery go on crusade, they are invariably accompanied by masses of Eccelsiarchy priests, missionaries and pilgrims. These hangers-on have proven to be quite useful to the Sororitas, as they spread the word of the Emperor in a more direct and sustained manner than the Order of Our Martyred Lady is capable of accomplishing. In this way, the 51st clears the way so that the masses may receive the word unopposed by any opposing, heretical dogma.

Maria’s fervent leadership has seen the ranks of the Sisters Repentia swell to numbers never before seen in the 51st Commandery’s history. This may be seen as alarming, but the vast majority of the those consigned to the Repentia were put there of their own free will. For them, Maria is an exemplar of the kind of faith they should aspire to and many sisters feel as if they fall short and have shamed themselves. For others, they did not agree with Maria’s leadership when she was appointed but have since come to realize that she was divinely appointed and seek redemption for their weak faith. For some, self-flagellation is not enough of a penance. The Sisters Repentia are always ready to accept these wayward souls and it is considered the honourable first step on the path to redemption to take up the eviscerator in the Emperor’s name.

With influx of Repentia come, inevitably, an influx of Mortifiers – disgraced sisters for whom redemption is no longer an option. All that is left for them is prolonged agony and damnation as they make themselves useful to the Emperor one last time. Most notorious amongst the 51st’s Mortifiers is the Anchorite is known as “The Damned”, a sister who has been locked inside of her armoured sarcophagus for decades. Her suffering has been so prolonged that only the longest-serving veterans of the chapter can remember her sins, but these are so grave that they refuse to speak of them. Younger members of the sisterhood don’t even dare speculate in hushed tones – as they see The Damned launching herself into battle to end her suffering, they fear that their idle curiosity may one day earn them a similar fate.

  • The Damned

Quick Fix: My Life in 2021 in Photos

~ Barloq ~ 2 Comments

Hey, I know that my writing output has slowed considerably in 2021, down from three posts in the first half of January to… well… one (really great) article since then. It’s not that I don’t have ideas – I’ve got a Retrospective planned for months and ready to go as soon as I get time to dedicate to watching the franchise again, and I wanted to write about Gamestonk back when that was in the news. Unfortunately, since mid-January my life has be complete chaos and making time for writing hasn’t been realistic. Not only that, but I’m the sort of writer who needs to have a creative spark in order to make any sort of progress and so I haven’t even had the time for inspiration. It’s only in the last few weeks that I’ve gotten some of that creative spark back, so here I am writing a bit of a reflection on what I’ve been up to lately to stretch some of those creative juices. Hopefully I will be able to dedicate more time in the near future to bring posts to life.

So what really pushed this stressful period of my life into overdrive? Well, first of all, my wife and I bought a house… so that was a break-neck month and a half of stress getting finances in order, dealing with lawyers, banks, mortgage brokers, etc to make that work, not to mention that we then had to co-ordinate the actual move in the middle of a snow storm (have I mentioned before that I live in Canada?).

As if that wasn’t enough to deal with, a week before we moved in my wife decided she wanted to get a puppy. And not just any puppy – a Belgian Malinois puppy. Freaking John Wick 3 attack dog puppy. Perhaps unsurprisingly, we have had our attentions fully on him since to ensure that he is properly trained and have had to get a trainer to help. This alone has kept my hands full and away from the keyboard, since basically my entire day gets dedicated to either work or keeping him from getting into trouble until bedtime where I might get an hour of free time if I’m lucky. So, uh, yeah maybe you can see why there haven’t been many posts lately.

Good thing the little bastard is so damn cute though.

That said, it hasn’t been all work for me. I do get a bit of downtime while the dog naps, but that has mostly been dedicated to painting miniatures. I started getting into Warhammer 40,000 again last year and have been expanding my Adepta Sororitas army with some of the new models they received recently. I’m really happy with how they’ve been turning out and can’t wait for COVID to be over so I can get them on the tabletop. Since moving into the new house, my huge pile of shame is now readily available to me so I’m trying to work away at it (which is also nice because I’m on a very tight budget now, so miniature purchases are extremely low priority).

Mortifiers
Battle Sisters squad and an Imagifier
The uncontested centerpiece of the army and probably the best mini I have ever painted, The Triumph of St. Katherine.

Other than that, most of my free time has gone towards reading. Having finished the 2000ad Humble Bundle, I’ve moved on to other comics. First was Strontium Dog, one of 2000ad’s classic, flagship franchises. I bought and read the original series run, which is available in the five volumes of S/D Agency Files. Volume 1 is rough, pulpy fun, but the series really hits its stride in volumes 2 through 4. These stories are incredible, I heartily recommend reading them and getting drawn into the dangerous universe of Johnny Alpha, Wulf Sternhammer and Durham Red. Unfortunately, it all comes to a sticky end with volume 5, the aptly (if unsubtly) titled “The Final Solution” which brought the original series to a close. I am really mixed on it. I feel like it may have worked eventually but feels unearned and rushed at this point in Johnny Alpha’s story, especially the villains’ place in the story. It’s too bad, Strontium Dog has never recovered since then, with every attempt to follow-up or retcon this ending being half-baked and not measuring up to the original run. C’est la vie, even if it’s not the best ending, sometimes it’s just best to allow characters to rest.

Speaking of which, I followed-up on the other four volumes of Judge Anderson: The Psi Files. Volume 1 is just as great as volume 2, showing a more philosophical, rebellious and downright weird side of Justice Department than we get from Judge Dredd. However, things go completely off the rails in volumes 3 and 4. I’d like to know what drugs Alan Grant was on in the late 80s and early 90s because some of the stories he comes up with here are insane. While some of the more philosophical ones are at least interesting, none are satisfying and some are at odds with established characters such as Chief Judge Volt or make no sense (you’re telling me most of the children of MC1 disappear or die and this never gets brought up again…?). Meanwhile volume 4 hinges entirely on one epic storyline about a psychic virus… which ultimately makes no sense. So Judge Anderson dreams she’s on Deadworld? Okay, but how does this leave a psychic virus in her head? And how does this psychic virus even spread? And how are they even supposed to figure out the very fine details which end up defeating it at the last second? It all makes no sense and ruins what could have been an interesting storyline which feels like a prototype for the apocalyptic Day of Chaos which would come years later. Luckily, volume 5 turns things around with far breezier storylines, although it’s still a far cry from the series’ heyday in the early 80s.

Finally, I’ve recently started the Attack on Titan manga, having picked up a huge bundle off Humble a couple months ago. I’ve got a love-hate relationship with this series, having seen the first two seasons of the anime and a couple episodes of the third before dropping off of it. It’s at the point where I might even make a “Attack on Titan is Kind of Trash” in the near future, depending on how the manga shakes out. If it’s as frustrating as the anime was for me? Hoo boy, you can count on it. I’m on volume 2 currently and it has been very close to the anime so I’d say count on it.*

Anyway, that’s my life these past few months. I’m hoping to get back into writing a bit more regularly, but it all depends on how life shakes out and if the dog’s training becomes less of an overwhelming situation in my life. Fingers crossed that I can bring this latest Retrospective series to life soon and maybe even come out with a couple writing projects I’ve been plugging away at… we’ll see.

*Post-script: So I’ve binged through a couple dozen volumes of Attack on Titan in the past few days and I’m not so sure about this being worthy of a Trash post. I legitimately enjoy this manga and most of my complaints are going to be nitpicks in comparison to all the praise I have for this story. I don’t want “____ is Kind of Trash” to turn into a hyperbolic, nitpicky complaint platform, I want it to be for popular media that I legitimately did not like or that I think are massively overrated. I will be watching the anime after I finish the manga, so maybe there will still be a post for the anime, since I was unimpressed by the first two seasons, but they’d really have to drop the ball for it to qualify. I guess we’ll see.

*Post-post-script: Oh. Oh my. I may have spoken too soon. Attack on Titan‘s final arc can only really be equated to a Game of Thrones Season 8 level disaster.

15 Years of RPG Characters

~ Barloq ~ Leave a comment

Like many a life-long nerd, I have played several roleplaying games over the years and have built up quite the collection of characters in the process. In addition to being a garden-variety nerd, I also happen to be a drama nerd, so bringing a character to life is what really draws me to table-top RPGs. As a result of this, I have several characters that I’ve grown really attached to over the years and, reminiscing about them recently, I decided to document them here for posterity.

As you’ll soon see, they start out pretty simple and grow more complex over time. I often start with a basic character idea and then work from there, filling out details as the campaign continues. I also lean towards characters which are charismatic and competent, although I also enjoy playing meat-headed idiots for a laugh. Hopefully you find these characters interesting or inspirational!

Before we get into the TTRPG characters proper, I need to lay a little bit of groundwork. Many of my characters had their basis in one of two sources. The first is Warhammer, where I came up with the names for many of my heroic characters, which would later be repurposed for my own story or RPG characters. The second source of inspiration was a series of unstructured, narrative RPGs I took part in from 2005 to around 2010. These RPGs might be more accurately described as cooperative storytelling, but many of my characters were introduced and developed here and then later readapted or repurposed elsewhere.

Barloq (DND 3.5E)

My very first TTRPG character was back when I was in high school in a very basic and very short-lived campaign with a couple friends. It was a wild and messy time for several reasons. First off, I had to keep this campaign very much on the downlow because my parents still believed the Satanic Panic was real and that Dungeons and Dragons was a gateway to the occult and I didn’t need them getting on my case about it. To try to compensate for that, I tried to play a melee class and gravitated to Paladin, the perfect class for a conservative youth. To no one’s surprise, I was also kind of an idiot – somehow I didn’t understand relative heights and weights at this point in my life. My only real reference point was the character creators in NHL video games, where I’d max height and minimize weight, my dumb brain thinking that I didn’t want to look “fat”. This would result in 6’10”, 130lbs monstrosities and, being a moron, I applied this to my Paladin as well.

Anyway, I called the gangly knight “Barloq”, the name of my Saurus Oldblood general in Warhammer, and jumped into our first session where he was joined by a spell-caster named Atlas. It was as basic as could be – two adventurers at a tavern, when the bartender asks them to deal with some rats in the basement. Unfortunately, this is where the next big mess came in – the DM accidentally made these rats several levels higher than us and they mangled the spellcaster, nearly killing him. I landed a critical hit with my longsword and, feeling sorry for his mistake, the DM allowed it to kill both rats to get us out of the situation alive. It was incredibly messy and, while we had fun, the game died out right there. It was an early taste of fun for me, but I was disappointed by just how short-lived it was and really had no time to develop any sort of character for Barloq. The basis of the character still lives on within me though, with the name “Barloq” being one I reserve for noble, chivalrous, good-natured knight characters ever since. Perhaps one day he will come back and get a full reimagining…

COMMANDO, Arnold Schwarzenegger, 1985, TM and Copyright © 20th Century Fox Film Corp. All rights reserved.

Bruce Phipps (GURPS)

My first real, long-running RPG experience, Bruce is the character that inspired me to write this whole list in the first place because there’s no way that I’m ever going to get to revisit him. He came about as a result of a perfect storm when I was in university. My friend who had played Atlas in the previous entry joined me in a GURPS campaign that was being run on a forum we were part of. My character was motherfuckin’ Bruce Phipps, a chain-smoking, heavy drinking, meathead, body-building bruiser who had a heart of gold, dedicating his life to protecting his young daughter. It wasn’t unusual for me to play a bruiser, especially at this time, but playing a full-on 80s action hero was totally different and something I could only really pull off in an RPG system as flexible as GURPS.

Unfortunately, the campaign itself became a bit of a shitshow. It started well enough, taking part in mob hits and the like, and the game lasted several months. However, the GM started to get a bad habit of introducing characters from movies and TV shows into the story like a bad fanfic. Soon enough, shoehorning Agent 47 and Dexter into the story became more of the driving motivation of the story rather than the characters’ actions and effectively made us unable to deal with a swathe of unkillable, overpowered enemy NPCs.

During one particularly memorable session, one of these cameo characters was trying to get us to all surrender our weapons to them. Everyone else in the party did, except Bruce. I saw absolutely no reason why Bruce would do this and so I stood my ground and kept passing persuasion checks, halting the game for a good half hour due to Bruce’s stubbornness. Eventually I relented just to let the story continue, only for the character to immediately reveal that this was a trap and that we were all now captured. Everyone else let out an audible “WHAT THE FUCK” but I just shrugged and was like “Told ya so…”

The actual mini I made for Andilus Gallich!

Andilus Gallich (Deathwatch)

After the GURPS campaign crashed and burned, I was still itching to play a TTRPG, but this time I wanted to be the GM to avoid any of the issues I’d experienced in my games thus far. I was mulling all this over when I discovered that Fantasy Flight Games had a Warhammer 40,000 RPG that let you play as a space marine called Deathwatch. My nerdy heart went aflutter and soon I had a whole campaign set up and an avatar to use in game, Andilus Gallich. He was initially named after the Wolf Lord of my Space Wolves army, Andilus Greatsword, but over time I started to develop him more as his own character and appended the “Gallich” to differentiate them.

Andilus Gallich was a Space Wolves Assault Marine seconded to the xenos-hunting Deathwatch and put under the command of a mysterious Inquisitor. Along with a Librarian, Apothecary and a squad of tactical marines, they went on a number of action-packed adventures, purging the foes of the Emperor across the galaxy.

Being Space Marines, I was kind of limited in how I could differentiate Andilus Gallich and give him a personality, but he was a mentor figure for his squad, a factor which I would eventually use to allow him to be promoted to the venerable office of Wolf Priest. The Deathwatch campaign went on for quite a while, but scheduling issues caused it to end prematurely on two separate occasions before I finally decided to pull the plug on it for good. The ruleset of Deathwatch itself was also an issue, being very combat-heavy was fairly boring to me, especially because the game was wildly imbalanced – the standard bolter was capable of slaying any enemy with ease, let alone that one of our squad members was armed with a heavy bolter that could liquefy tanks in a volley! I had to introduce rule changes several times to even have a chance of balancing things and while I had a better handle on what worked by the end of the campaign, it was routinely a curb-stomping for the players.

Ellri Hraustr (DND 5E)

After Deathwatch I was out of the TTRPG scene for several years until one of my friends invited me to play a DND 5E campaign he was organizing. While I was tempted to reimagine Barloq again, I decided that I wanted to play a character who was the polar opposite of what I usually play in RPGs (heavy armoured, giant sword-wielding, lawful good fighters). This gave me the basis for the character, a morally-shady spellcaster. I was initially going to make this character a sorceress, even more outside my usual comfort zone, based on Tharja from Fire Emblem: Awakening, but when I found out that there were going to be female characters played by actual women in this campaign I decided to just go with a male sorcerer. For his name, I went back to the well of my WH40k characters for inspiration, taking the name of my Rune Priest (aka, Space Wolves mage), Ellri Hraustr. Little did I know that this character I made to get me out of my comfort zone would end up becoming by far my favourite character I’ve ever created.

In my friend’s campaign, Ellri believed that he was destined to bring about the downfall of the gods. Unfortunately for him, he was also a socially-stunted hermit who caused several of his companions to hate him and who planned on murdering them all on several occasions. That said, given his high Charisma stat, he also ended up being secretly super hot and was seduced by a pirate party member in a hilariously awkward encounter. The group went on several adventures but, just as the story was getting interesting and we were really starting to enjoy the characters, the campaign abruptly died out. However, the pirate’s player and I continued discussing our characters’ adventures and this led to us running a follow-up “one-shot” where they led a treasure expedition. This “one-shot” ended up leading to several other follow-ups, until it turned into what is now an on-going, several year long campaign with hundreds of pages of supplemental character interactions outside of the actual game sessions. During all this time Ellri has grown and matured, enduring tragedy, confronting his own demons and trying to make amends, all while raising a daughter and trying to deal with the numerous threats bearing down on the ones he loves. He’s grown so much in the past several years and become a truly rounded and compelling character. He also been with me as I became aware of my own social anxiety, to the point where I’ve kind of passed it onto him as well, inadvertently. It’s funny, for a character I initially created to be the opposite of what I usually do, Ellri has grown on me, challenged my “normal” for an RPG character, and even changed my view on the world in some respects.

Finn Rand (DND 5E)

If there’s one character class in DND which I’d be least likely to gravitate to, it’s the monk… which ironically made it the class I most wanted to try next. So when a friend asked if I wanted to create a guest character for a one-shot they were running, I knew what class I was going to go with. For further inspiration, I had recently watched Iron Fist season 2 and enjoyed it, so I knew I wanted to play a character who was essentially the Iron Fist. I have this strange appreciation for the show’s version Danny Rand, in spite of the various ways it bungled the character. During character creation I rolled really well, getting above average or great on all but one stat… which ended up being a measly six. Given the character’s reputation, I put this towards Intelligence and thus Finn Rand was born.

Finn Rand was an idiot monk who would was obstinately a pacifist, but had no compunctions about beating the shit out of people with his fists alone (in fact he loved it and the contradiction had probably never occurred to him). The party got into a showdown with a group of giants who he tried to negotiate with. When that failed, he negotiated with his fists, constantly using ki to knock them over. He also passed on little bits of wisdom to the party which, while maybe not appropriate to their situation, were no doubt inspirational. He was kind of fun to play, but very one-dimensional since punching and knocking things over were the only things he was really good at and his abysmal intelligence meant that he was useless outside of combat (and, in fact, could be dangerous if he suggested that they try to talk to the vampire lord and see what he says). As a result, I don’t imagine that Finn will be making any returns, but stranger things have happened.

Maria (DND 5E)

It’s undeniable that Dark Souls and Bloodborne marked a shift in the sorts of RPG playstyle I liked. For years I had always liked a heavily-armoured, slow, greatsword-wielding beatstick with little to no magical ability. This carried over in my first playthrough of Dark Souls 2 (my first Souls game), but eventually I started to gravitate to the playstyle I had developed in Bloodborne – low HP, low-to-medium armour, sky-high attack with some magical abilities to supplement it. I like the trade-off of death after only one or two hits in exchange for high mobility, speed and attack, it means that if I make a mistake I suffer for it and it encourages flawless play to get through. Naturally, inspiration from Souls and Bloodborne would eventually carry over into a TTRPG character.

One of my friends wanted to DM a DND session set in the Magic: The Gathering universe and gave me a guide of some characters I could build. This setting had vampire as a player species and I decided that I wanted to give this a try (the vampires in this setting are FAR less powerful than they are in DND). I also decided that I wanted to finally try my hand with a female character and very quickly gravitated to a character inspired by Lady Maria from Bloodborne. I was going to play a monster-slaying paladin at first but then I found out that blood hunter had been added as a new playable class and it was too perfect to pass up. A stoic vampire who uses blood magic and sacrifices her own lifeforce in order to slay monsters, no matter what the cost? I was stoked and couldn’t wait to play her.

…of course, that game never ended up materializing and I was forced to wait until another friend started a game and said we could bring characters we’d previously made into it. I jumped at the chance and Maria finally was unleashed. Funnily enough, this was in a game crawling with regular DND vampires, so the differences between them and Maria were even more pronounced. She was really fun to play as well, effectively translating that high risk/reward playstyle that I love so much while also being interesting character to roleplay outside of combat. Early in the campaign she purchased a magic rapier which she soon discovered was cursed. She kept this on her the whole time, but in the climactic battle against an evil sorcerer, she finally unleashed it, knowing that she would need its power to overcome the villain, no matter what it would cost her. The blade drained Maria’s lifeforce, but still she held on until the villain was vanquished and her entire arm was shriveled and weakened. It was tragic, but she was stoic about it, simply saying that “It needed to be done.” I really hope I get the chance to play her again – this campaign is on a bit of a hiatus after the first storyline ended, but we all said that we wanted to continue it, so hopefully Maria will be back slaying evil soon!

Hatred Bonefury (DND 5E)

Bards tend to fit within a very specific mold, so of course I wanted to make a “different bard” when a friend suggested that we create weird characters for the one-shot they were running. Being a huge metal head, that meant a half-orc bard who goes from town to town playing heavy metal concerts. I quickly gravitated to a Nathan Explosion-type character, complete with the death growl voice (which seriously screwed up my voice for several days every time I played this character… but worth it). This also meant that I was playing an idiot once again, so we got moments of heavy metal badassery where Hatred summons a tree to life to play in his concert, while also believing that the monster ravaging the town is a potato and therefore needs to be turned into chips and french fries to be defeated. He was also, in true Nathan Explosion form, only concerned about the monster because it was killing his fanbase off while they still had money to spend on merch. Again, he was a one-dimensional joke character and my voice suffered in the two sessions this one-shot lasted, but goddamn if he wasn’t a blast to play. I hope that Hatred gets to go on tour again someday soon.

Orome Arrick (FFG Star Wars)

Back when The Force Awakens came out I bought the Force & Destiny rulebook for Fantasy Flight Games’ Star Wars RPG line. Unfortunately, I never really got a chance to get a game together until this past month when an old acquaintance suggested we get a game going. I quickly gravitated towards a pilot and scoundrel character in the vein of Han Solo, while also trying desperately not to just be a bargain-bin copy. I came up with the name Orome Arrick – like many of my characters he was named after a character I created during the cooperative storytelling RPGs I took part in ~15 years ago. Orome is a young, cocky flyboy, a very capable pilot forced into the life of an outlaw. I was inspired by Netflix’s The Business of Drugs, which shows how cartels exploit desperate people at every level of their business in order to enrich themselves and wanted to reflect that in Orome’s backstory. As a result, the Black Suns criminal organization has manufactured a situation where Orome owes them a crippling debt and has become addicted to booster blue, providing them with a dependable and convenient revenue stream which enriches them several times over. Orome dreams of a life where he can break free of these obligations and explore the galaxy at his leisure, but most of his time is preoccupied navigating the seedy underworld he finds himself in and doing whatever he can to get ahead. We’re only a couple sessions in so far, but I’m really enjoying Orome as a character and can’t wait to see where his adventures will take him.

G’dorah Hirose (DND 5E)

My latest character is one that I haven’t gotten the opportunity to actually play yet, but which is an interesting concept I have wanted to try for a while now. I’ve always found Hannibal‘s portrayal of prosopagnosia fascinating and have thought that it would be interesting to roleplay a character who cannot see the faces of those around them. There’s an delicate balance to strike here – obviously I don’t want to be disrespectful to people who actually suffer from prosopagnosia, turn the condition into a dumb joke, or make it a trait that completely defines the character. I’m relishing the challenge though and think that I will be able to portray it respectfully when the time comes.

Drawing back on the very earliest days of my character creations, this character is a dragonborn paladin (similar to the Lizardman general who kickstarted all of this). I came up with the name G’dorah Hirose for two reasons: as an obvious tribute to King Ghidorah and the actor who portrayed him in the Showa era, and as a “Dorah the Explorer” joke (hey, I said I wasn’t going to make fun of her condition, not that I have to be completely straight-faced). Dorah is a holy warrior of the goddess Eldath and suffered a serious head injury fifteen years ago against a demonic foe which caused her prosopagnosia. She believes that the condition is a result of demonic scarring upon her soul and it has caused her to become even more pious in an attempt to cure her affliction through atonement. I’ve always loved fanatical characters (Maria fits within this mold as well) and G’Dorah is poised to give me even more opportunity to explore this fascination. Even if this potential campaign falls through, I can guarantee that G’Dorah will be getting used sooner or later!

Deliberate Inequality

~ Barloq ~ Leave a comment

So I was recently reading this article on Polygon about unequal racial representations in gaming, and it got my mind jogging. Oftentimes, when someone calls out a system or representation for being racist/sexist/homophobic/whatever, people less versed in the subject are quick to come out and ask what the big deal is, that the person is looking too far into things, claim that it’s a part of the “creative vision” or that SJWs are trying to censor art (that they agree with, of course), etc. In any case, I believe that some of these responses stem from a misunderstanding of some of the basics of social justice analysis.

I think that many people believe that racism et al are only actually worthy of being pointed out if examples of them were done deliberately with malicious intent. For example, my father complains about how the media seems to always be complaining about racism in regards to police activity or their representation in Hollywood, and yet would quite likely stand up for someone if somebody was slinging racial slurs at them in public and discriminating against them in an obvious manner. People like him probably find these “smaller issue” social justice concerns to be extremely frivilous, get burnt out from hearing them all the time and definitely do not consider themselves racist. Unfortunately, due to a lack of interest or education on the subject, they are missing the underlying, unconscious issues in society which are contributing to the lingering of racism/sexism/etc. This often means that people concerned with social equality need to be concerned not so much with the less-common and clearly unacceptable examples of deliberate racism, but moreso with the unintentional examples.

Honestly, I find that deliberate examples of inequality are potentially less offensive than the unintentional, ingrained ones where people don’t even realize that they’re being potentially offensive. To link back to the start of the article, think about how big budget video games and movies rarely feature a hero who is a white, a male and a power fantasy of some sort. Think of how Assassin’s Creed: Unity ditched the option to play as a female assassin, claiming that they didn’t have the development time or budget to do it (which was promptly revealed to be a bullshit excuse, they just didn’t prioritize the female audience). Another good example is in Warhammer 40,000. Every couple months, someone comes onto the Dakka Dakka forums and asks where all the non-whites are in 40k. The simple answer is that there ARE other races in the Warhammer universe, and there are a handful of examples of them in 40k art, but it has literally not even occurred to the painters to paint any of their soldiers non-white. Honestly, I fell into the same trap with my 40k armies. When I was growing up, it never even occurred to me to paint any of my Space Wolves anything other than white. When I started an Imperial Guard army years later, I still didn’t think to paint them anything other than white for quite some time, until one of those Dakka Dakka topics pointed out the issue. We all have our own blind spots where we don’t even realize that we’re missing out on a chance at equality, or at least to make a conscious artistic decision one way or the other.

This is why the Bechdel test is so crazy – women rarely speak to one another about something other than a man because of the way that the screenplay is written. When 2 women speak, they have to advance the plot in some way by the very nature of the narrative. However, the fact that most movies fail the Bechdel test really shows how marginalized women are in movies, and that they aren’t generally the ones who the movie really cares for. It shows that women are not prioritized in the scripts, nor are they generally the focus, and generally serve as little more than plot convenience, especially when they speak to one another (because rarely do they bother to have 2 real women characters with any agency). My friend and I were watching the 1998 Godzilla, which isn’t an overtly sexist film by any means. However, we were commenting on it the whole time, when halfway through I was suddenly struck by the realization that the film had bombed the Bechdel test. There were only a couple scenes in the whole movie which featured two women talking to one another, and they spent all of them talking about a guy as the focal point to set up the love story subplot. It really illustrates where the film’s real focus is, and the fact that it’s so common is distressing (and let’s not even mention the 2014 Godzilla, which doesn’t even feature a single scene with more than one woman in it with a speaking role… this is a frighteningly common reality in movies).

What about deliberate examples of inequality though? The Witcher 3 is getting taken to task for apparent sexism in the game (although I’ll admit, Feminist Frequency does not have the best track record of picking good, clear examples). I haven’t played The Witcher 3 unfortunately, so I can’t comment, but one complaint that sounds valid is that the game features a lot of gendered insults when you play as a female character (or when they’re around at least… again, haven’t played it). Moral judgments about it aside, can we at least agree that having such marked differences in the insults directed at male and female characters is sexist? How odd would it be if enemies taunted your male game hero by saying they were weak, had a small dick, couldn’t pleasure their partner, or threatened to sexually assault them if they fail? Unfortunately, this is a strangely common trope for women in video games: quite a long time ago I wrote about Lollipop Chainsaw, a game I actually rather enjoyed, but lamented how the enemies will frequently call the protagonist a “bitch”, “slut” and threaten to violently sexually assault her. This also apparently happens all the time when you play as Catwoman in Batman: Arkham City – there’s a 6 minute video on Youtube of nothing but the instances where enemies hurl gendered insults at her, which is kind of insane. On the more positive end of the scale, I recently replayed the Tomb Raider reboot on PS4 and, despite the island being inhabited by violent, insane, foul-mouthed sailors, I didn’t find the game any less “realistic” for not having them sling gendered insults at Lara all the time. Rather, they simply act as if she was any other badass running around kicking their asses, and shout out her actions (“she’s flanking us!”) rather than taunts.

While gendered insults are undeniably sexist just by definition (male characters get generic taunts, female characters are taunted based on their gender), that isn’t to say that this is something that needs to be eliminated necessarily. I’m wondering if the point that Sarkseesan is trying to make (and the one she tries to make whenever she picks a really questionable example) is simply pointing this out to bring awareness to this potential issue in gaming, rather than saying “This is bad and needs to be eliminated from gaming RIGHT NOW.” If anything, it is more likely stopping devs from taking this sort of thing for granted and trying to get them to be more deliberate when they utilize gendered insults and female characters – is being beaten down and shamed for their gender key to the experience that the devs want to give the player when playing as a female character?

One common mistake that inexperienced writers make is when they try to make their story “mature”, they tend to overcompensate and just saturate it in misery, rape and constant violence. This causes the plot to be completely forgotten or overshadowed, and the acts themselves to feel meaningless. The fix, of course, is for the writer to be more deliberate with the use of mature themes, so that they have the impact that they SHOULD have. Rape, sexism and the like can be used in fiction effectively, but artists should be very deliberate when doing so and do it with the expectation of some potential backlash.

Like, in Season 6 can we finally get to a storyline other than “Who is going to try to rape Sansa this year?”

For example, I hardly want to call myself a great writer, but this deliberate inequality is something I have tried to take into account with my own sci-fi novel I have been working on. It takes place around a thousand years after humanity undergoes a biological revolution and colonizes the galaxy. Racism and sexism aren’t totally dead, but they are significantly diminished because the fearful have turned their attention towards bio-engineered organisms. As a result, women and men (of various races) hold equally prominent positions within the civilian and military structures without people having to comment on it. Homo/trans-phobia is also considered a non-issue in the universe of the story. One major character is bisexual and hated by basically everyone, but no one even thinks to belittle him for his “queerness”. When deliberate inequality is brought up, it is done to show characterization, not just because I decreed that this story featuring six foot spiders and space magic has to be “realistic”. This is not pressuring me to conform to diversity, this is making my story far more interesting and opening up more avenues for creativity than if I stuck to my own narrow “vision”.

People seem to assume that criticism is an attempt at censorship (a misunderstanding which helped kickstart the whole GamerGate movement…). They claim that criticizing media for just fitting with the status quo and featuring “realistic” examples of sexism/racism/etc is an attack on the creative rights of the artist. However, I think that criticism should be seen more as an attempt at artistic improvement. By pointing out examples of inequality, critics are effectively saying “this art would be improved if the female characters weren’t such a flat plot device, consider making them more interesting in the future, because it will enrich the narrative”, or “I would enjoy this more if they weren’t calling the female protagonist a ‘slut’ or ‘whore’ all the time, this is grating for me because I hear these sorts of insults get hurled at my sex all the time”. The artist is free to accept or dismiss that criticism however they wish, but if they dismiss it then they shouldn’t expect not to be criticized for it.

Back from the Dead

~ Barloq ~ Leave a comment

So… obviously it’s been more than a couple weeks. Working 8 to 4 every weekday and only getting weekends off leaves me with surprisingly less time than I was expecting, especially when I have to juggle blogging with novel writing, gaming, painting and social life.

Blogging on a schedule (when it is basically being done for free) was becoming a bit of a chore – especially when I worked on retrospectives. You’re looking at setting aside a few hours a week to write, which obviously cuts into other hobbies significantly (I was basically setting aside my novel in order to update the blog on a weekly basis, while juggling all my other interests). Initially, I started this blog as something I could throw on a resume, in hopes of landing some job in a writing field. However, when I landed a job that wasn’t Tim fething Hortons, the priority suddenly fell off. I’d prefer for blogging to be a fun hobby rather than an obligation. I know I’m making excuses here, but I figure that the record should be set straight on why I went on hiatus for so long.

So what has been going on in the last year? Well, for starters, my the novel is progressing fairly well (over 65k words so far, so probably around half way through the first draft), although my writing speed makes George R.R. Martin look like Sonic the Hedgehog. I got a PS4 and a new computer, which has opened up lots of new opportunities in regards to video and photo editing (not to mention it’s the first time I’ve really been able to take PC gaming seriously). I also started a small Sisters of Battle army which is pretty awesome, I’ll see about posting pictures at some point. Oh and I placed 6th and 2nd in two local Warhammer 40k tournaments, which was great, and actually ended up winning best sportsman at one of them as well! I have also done some paintballing as the season has started, but I will probably get in less this year for a number of reasons. First of all, I’m saving up for a car for my 25th birthday. Secondly, it seems like everyone is getting married, so my time (and money) is already being spoken for this summer in regards to that.

As for the blog though… I probably won’t be posting all that often still… sorry to get anyone’s hopes up. I’ve been super-tempted to make a post for the past few months, but never actually got around to doing so. I imagine I will continue to make infrequent updates, but I can’t see myself doing weekly posts like I used to. We’ll see if that means that the retrospectives series’ are totally dead in the water now, but I’d at least like to finish the Shreks someday. In any case though, I’d like to post on occasion when I have something on my mind and then see where we go from there. In any case, I’ve got a couple topics I’d like to discuss in the future so hopefully that gets us started again. 🙂

Quick Fix: Multi-media News

~ Barloq ~ Leave a comment

Hello fine readers, thanks for coming back for the weekly update! I was going to write on something more… controversial to say the least, but it’s just not coming to me. Maybe I’ll find the words for it next week, but for now it’s on the back-burner. Anyway, that means that we get to talk about the generally less-heavy news in pop culture instead! As most nerds will tell you, San Diego Comic-con just ended and brought with it some major entertainment news. Probably foremost amongst these is the announcement of a Superman vs. Batman movie. Clearly this is DC’s attempt to kickstart a shared universe much like Marvel studios is enjoying now. Of course, this brings with it its own problems… like how Batman could possibly win against Superman… *SPOILER* especially now that he is willing to kill for the greater good. Again, I’m not entirely sure how this is going to get worked out, but it could be potentially monumental if it can all come together.

Next on the agenda are a couple of potential movies that I’ve been following for some time which are looking for support. The first of these is Dredd 2, the proposed sequel to a movie I’ve been gushing about since it came out. Seriously, if you haven’t seen it yet, do so. It’s amazing, and deserves a sequel. The official news is that DVD and Blu-ray sales of the film have been through the roof and fan support is overwhelmingly high. This means that the likelihood of a sequel being made have skyrocketed. Back around December when I saw the box office figures for Dredd I was aghast – I was certain a sequel would never get made, with a status as a cult classic in a decade or two being the film’s best bet for success. However, it’s now looking quite likely that we’ll see a sequel, maybe 50/50. I just hope the same minds are behind it so we won’t get let down!

The other potential film I’ve been following is a Warhammer 40,000 fan film, The Lord Inquisitor. It was announced shortly after the official 40k movie, Ultramarines was released (to tepid reception) and looks like it will blow it out of the water. The movie’s being made by Erasmus Brosdau, one of the designers at Crytek (a video game studio famous for Crysis and originators of the Far Cry series). The only sad thing about The Lord Inquisitor was that it looked like we were going to be waiting a couple years for a 15 minute short… until now anyway. Brosdau is looking for financial backing to get The Lord Inquisitor turned into a full-length CGI animated movie. I first got into 40k 10 years ago and back then I thought the setting would make for an awesome movie. In fact, I can’t believe it took until 2010 before we saw an official 40k movie… unfortunately that movie, Ultramarines, was a pretty bland representation of the universe. If The Lord Inquisitor receives its backing, it should be a faithful version of what makes the 40k universe so awesome. I’m really looking forward to seeing where this goes in the future.

Finally, the biggest piece of pop culture news all week for me is this picture:

YES. Dawn of the Planet of the Apes is well underway and I have little doubt that it is going to be amazing. Matt Reeves directing? YES. Rick Jaffa and Amanda Silver are back writing? AWESOME. Andy Serkis is back as Caesar? HELL YES. Hell, even the supporting cast looks good with such big names as Gary Oldman and Kerri Russell. I loved Rise of the Planet of the Apes – hopefully this one will be even better!